I listen to country music occasionally, primarily because of the fond memories I have of driving through the southern and western U.S. as a kid, when the only stations available at 2:00 a.m. between Oklahoma City and Albuquerque were AM stations that played Freddy Fender, Hank Williams, Tammy Wynette, Charlie Pride, and the country greats from before the destruction wrought by FM country stations. The hot, Conway Twitty-loving hairdresser wife and I still listen to classic country on long road trips, but we disagree about the new country. Last night I got to revel in being right about the utter craptasticness of the new country during the CMT Awards. (These should NEVER be confused with the CMA's, which still retain some dignity and some connection to the tradition of country music.)
Country Music Television has a video awards ceremony every year. I've never watched it before, but I will never miss it again, as it's not often that anyone gets to feel so spectacularly and horribly correct for three straight hours. Billy Ray and Miley Cyrus were hosting. Billy Ray looked like the love child of Crispin Glover, Steven Pearcy, and Don Johnson (ca. 1985). Not sure how it's an improvement to exchange a mullet for an about-to-be-led-away-to-the-death-chamber 'do. Miley was so chirpy I thought my molars wouldn't survive the night. However, chirpy was preferable to the killer bimbo duo of Taylor Swift and Kellie Pickler. Both won awards and both managed to say absolutely nothing. In most award shows, when a dimwit, near talent-free hack beats out some of the great stars of their trade, they have the great good sense to say what an honor it is to be included in that company. Not with the southern bimbo squad though. We had IM jokes, "oh my goshes", and thanks for the fans in abundance, but not one nod to the people who carved out the tradition in which these American Idol cast-offs are now swimming.
Elitist side note: when fans are allowed to vote online for winners, it almost guarantees that the majority of votes will be from teenagers who are too stupid to know who they ought to vote for. Case in point: when Taylor Swift, for whom the concepts of pitch and key are as unattainable as a unicorn sighting, beats out Martina McBride and LeAnn Rimes, the world is about to explode. Fan voting is a stupid idea, which is why almost no one ever watched the People's Choice Awards.
Rascal Flatts. I should just be able to type that and people who love country music will vomit on cue. Alas...these knuckleheads, who sound like cats being raped or nails on a chalkboard during a cat rape, have won a Grammy. So much for the fans being the only stupid ones... Last night they sang a song about bobbing your head and flashing rock signs. These lyrical gems were in the middle of what can only be described as bad, white, country rap. Let's see: banging your head (Quiet Riot), bad white rap (Vanilla Ice), sappy pop/rock country (Alabama), il cornuto devil sign (Hell's Bells: The Dangers of Rock and Roll). Yeah, we've seen these guys before. Why do we have to listen to them in a different iteration? Notice I didn't go for the easy sex joke here.
Toby Keith. The song is She's a Hottie. Great title! Try these lyrics: "She's a hottie and just a little bit naughty...Ki yi diggy diggy, Ki yi diggy diggy, yay HEY hey hey HEY." Surely there's a Grammy in this for the king of mediocre, redneck pandering.
Snoop Dogg. His new single is out. He was there to announce that. Joint marketing. How long before rap, pop, rock, and pop country all merge into one horrifically trite genre? Has it already happened and CMT presented it last night? I think so.
Paula Abdul. She was gushing about the Idol alum, of whom only Carrie Underwood sang well, when she turned and said something bizarre to someone in the audience. Still haven't found a blogger who knows what was going on. I think it's just Paula on Vicodin again.
Anyway, those are the lowlights. Basically, it appears that CMT is attempting to reach the valuable teen demographic. That means that people who love country music should probably stay way away from any CMT programming. I'll still be listening to Ryan Adams, Mando Saenz, Kathleen Edwards, and Carrie Rodriguez, praying that country makes a comeback.
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